Her presence alone won’t be enough to distinguish the series from the rest of CBS’ assembly-line slate.
Latifah, who exudes natural instincts and a casual confidence, isn’t given much that requires her to do anything but cruise on her charisma, and cash checks for however long the series runs. But there’s nothing in the episode that suggests it will. She exists in two worlds, and there’s room throughout the season for the series to really dig into that dichotomy.
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She has to figure out how to switch off the soldier inside of her, where she seems most at ease, and switch on the mother, where she seems to struggle most. She has family, including her rambunctious 15-year-old daughter, Delilah (Laya DeLeon Hayes), and Aunt Vi (the great Lorraine Toussaint, with really nothing to do here), and friends.
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Unlike the original version and movie adaptations featuring imperturbable, lone-wolf vigilantes - seemingly without much backstory - Latifah puts a human face on a well-worn formula, grounding her character in reality. 'Women Talking' Shakes Up the Best Supporting Actress Race 'Guillermo del Toro's Cabinet of Curiosities' Is More of an Empty Cupboard Of course, as a fighter for the proletariat, she follows them out of protective curiosity, and is soon drawn into a conspiracy that involves deep-fake videos, a murdered attorney, mercenaries, complemented by the usual car/motorcycle chases, fight sequences (watch Latifah effortlessly dispatch four goons), trite one-liners, and the like.Īfter 'The Patient,' Let's Give Steve Carell an Award Already It’s representative of the many series’ plot contrivances that McCall just happens to see the woman being ushered into some kind of storage facility at Coney Island, perhaps reluctantly, by a nondescript man, late one night. What prompts her to enter a new career of reformer is a chance entanglement with the case of a young woman - Jewel (Lorna Courtney) - framed for murder and on the run from the real killers, who are backed by an Elon Musk-esque tech executive. Like the male “Equalizer” characters, Latifah’s McCall is a former intelligence operative for the CIA who became disillusioned with the government’s methods and opted for civilian life. There are a number of callbacks to the original series, which the reboot relies on primarily (not the Denzel Washington movie adaptations), but they probably won’t mean anything to new audiences. As yet another one of CBS’ exhumations of classic last-century crime/drama series (including “MacGyver,” “Magnum P.I.,” “Hawaii Five-0,” “S.W.A.T.,” and more), this “Equalizer” feels thoroughly unoriginal. She’s an enigmatic former CIA operative who uses her particular set of rather extensive skills to help those with nowhere else to turn.
In CBS’ New York City-set re-imagining of the 1980s series “ The Equalizer,” starring the late Edward Woodward as the stoic menace with a populist message, multi-hyphenate Queen Latifah plays Robyn McCal.
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